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Inka Essenhigh
Show Girls 2000
10 color silkscreen w/varnish on Somerset velvet
30" x 26" edition 40
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Inka Essenhigh
Daedalus and Icarus 2000
10 color silkscreen w/varnish on Somerset velvet
30" x 26" edition 40
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Inka Essenhigh
"Supernatural" 1999
Oil on canvas
72" x 72"
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The artist's "cyborg mutations" are played against fields of glossy, slick enamel as if they were swallowed up or spewn out from a cosmic accident. They have a pop, almost comic book sensibility with a nod to Japanimation and Francis Bacon.
The bodies she creates can be grotesque and startling but also poignant, repulsive but beguiling.
"I think about them as being about America: fake, fun, pop, violent, but also quite attractive."
The perfected design of an Essenhigh painting so seemingly resolved in every detail, belies the spontaneity that went into its creation. They are products of a process that combines drawing and painting with a lot of sanding, most pictures begin as a monochromatic color -blood red, icy turquoise, acidic green, -- which provides the ground for subsequent layers of rapid drying enamel-based oil paint. The artist often refers to her canvases as "giant drawings."
A one person show for the artist premiered at Albright-Knox Gallery in Buffalo, New York in November l999. "Supernatural" was included in the exhibition.
See also:
Inka Essenhigh: Inka Essenhigh - The Saatchi Gallery
Inka Essenhigh: "Inka Essenhigh" David Ebony's Top Ten artnet.com magazine July 2000
Inka Essenhigh: Inka Essenhigh at Mary Boone by Max Henry, artnet.com
Inka Essenhigh: American Landscapes: New Paintings by Inka Essenhigh by Douglas Dreishpoon from Albright-Knox catalogue
Inka Essenhigh: artnet.com review by Christian Viveros-Fauné
Inka Essenhigh: artnet.com review by Robert Mahoney